Delighted to be a part of the blog tour for Corrie Jackson’s The Perfect Victim.
Husband, friend, colleague . . . killer?
Charlie and Emily Swift are the Instagram-perfect couple: gorgeous, successful and in love. But then Charlie is named as the prime suspect in a gruesome murder and Emily’s world falls apart.
Desperate for answers, she turns to Charlie’s troubled best friend, London Herald journalist, Sophie Kent. Sophie knows police have the wrong man – she trusts Charlie with her life.
Then Charlie flees.
Sophie puts her reputation on the line to clear his name. But as she’s drawn deeper into Charlie and Emily’s unravelling marriage, she realises that there is nothing perfect about the Swifts.
As she begins to question Charlie’s innocence, something happens that blows the investigation – and their friendship – apart.
Now Sophie isn’t just fighting for justice, she’s fighting for her life.
Here’s an extract from the book.
His heart bumps against his ribs as he pulls a torch from his pocket and shines it into the space behind the washing machine. He pulls out a brick and his fingers close around something feathery. The baby bird is as light as dry leaves. He’s amazed it’s still alive. It’s been in there for days. There are others buried deeper in the wall that haven’t been so lucky. He folds one hand round the bird and, with the other, he opens the laundry basket and digs around. The Blue Nun bottle is at the bottom, where his mum hid it. He waits a beat, then springs up the steps to the kitchen.
As he tiptoes past his mum, a car shoots past, its headlights turning the sitting-room shadows cartoony. He freezes, not used to seeing cars in this remote place. His mum shift s, snorts, rubs her stomach with a stubby red fingernail. He counts to fifty. The bird quivers, soft and sick, in his hand. He places it on the carpet, beside his sleeping mum, where it twitches, then settles. It looks peaceful but its eyes are milky with death. The boy unscrews the bottle lid. Then he pours the liquid on the carpet, trails it around the sofa, over the cigarette butts, the ashtray, the empty wine boxes, the remains of a congealing pizza. It splashes onto his shoes, drips down his wrists. He saves the final drops for the baby bird.
The boy takes one last look at his mum, then flicks the green lighter. The tiny flame shivers and he realises his hand is trembling. He cocks his head to one side, then snaps the lighter shut. His trainers squeak as he lurches – a childish zig-zag – across the kitchen and rips the crayon drawing from the fridge door. He rolls it into a cone then lights one end and tosses it onto the carpet. As the flames shoot forward in an angry orange stripe, words fill the boy’s head: He himself will be saved, but only through fire.
The boy waits, his eyes watering, lungs filling with smoke as he watches the fi re swallow up the bird. Then he drops to his knees and crawls into the hallway. He is about to open the front door when he hears coughing. It’s coming from the sitting room. His mum is awake. His hand hovers over the door handle. Then he remembers the crayon drawing.
The woman. The boy. The heart.
He opens the door and darts out into the dirty moonlight.
The Perfect Victim by Corrie Jackson is published by Zaffre and is released on 16th November 2017.
Corrie Jackson has been a journalist for fifteen years. During that time she has worked at Harper’s Bazaar, the Daily Mail, Grazia and Glamour. Corrie now lives in Greenwich, Connecticut with her husband and two children. Breaking Dead, her debut novel, was the first in the journalist Sophie Kent series and was described by Glamour as ‘Gripping . . . crime with a side order of chic’ and by the Sun as ‘Original, amazingly written and tense’. You can find Corrie at her website corriejackson.com or on twitter @CorrieJacko.