Today I’m joining the blog tour for Benjamin Myers’ Under the Rock: Stories Carved From The Land, which is published by Elliott & Thompson in paperback now.
I’ve got an extract from part one for you today, and more about the book later.
An Extract from Part 1 – Wood
Already Mytholmroyd, only a half-mile away, feels long behind me as I walk deeper into the woods and The Rock towers like something that has been forced from the earth by its fiery inner workings.
The outside world is entirely obscured from view as I mount a wooded hillock, pulling myself up in places by using the smooth girth of silver birches. Altitude comes quickly when you are young and fearless and don’t look back, and The Rock rises taller still.
A squirrel sniffs the air. Twitching, it shakes the leanest boughs, makes a break from a branch and then, with limbs splayed, takes a bold leap onto the limitless ladders of the sky.
Above, crows circle, calling a warning to all the creatures of The Rock: the first human presence in a long time. These creatures have policed this place throughout the ages. The descendants of the same crows that chuntered through Ted Hughes’s childhood sleep patterns continue to rule The Rock today. They always commanded top billing in Hughes’s ‘Crow’ cycle of poems: ‘There is a doorway in the wall – / A black doorway: The eye’s pupil / Through that doorway came Crow.’ As intrinsic and immovable as the ravens of the Tower of London, they preside from their vertical-dropped outcrop before fulminating like black confetti flung at a doomed marriage or a funeral for a forest.
The bluebells of April and May are still in evidence, but are flattened down now, wilted and spent, their thin stalks forming a crunchy carpet and their brilliant violet tepals faded in colour, curled into decay. Bracken fronds that smell of childhood have unfolded everywhere. With stealth their branches reach for the sun just as their roots bury quickly into the soil. Fossilised evidence of this pernicious fern, held fast in compacted sediment, has been dated back 55 million years, making it one of the species most adaptable to climate change. I push my way through them and the resistance they offer is like wading through water.
There is an overpowering sense of stillness.
With the throb of blood in my ears I reach the top of the knoll. Here I catch my breath and discover a small circle of stones, perhaps eight or nine feet across, arranged as if to form a fireplace or perhaps the base of a chimney used for some other industrial purpose. Looking down behind me through columns of trees and the tide of bracken to the wooded plateau below, I sit and eat an apple.
The stone wall of crows above watches on, hard at my back.
And so an obsession begins.
Under The Rock by Benjamin Myers is published by Elliott & Thompson and is out now in paperback. Many thanks to Alison Menzies and
@eandtbooks for a copy of the book to review. The blog tour continues tomorrow.
In Under the Rock, Benjamin Myers, the novelist perhaps best known for The Gallows Pole, winner of the Walter Scott Prize for Historical Fiction 2018, returns to the rugged landscape of the Calder Valley in a bold and original exploration of nature and literature. The focus of his attention is Scout Rock, a steep crag overlooking Mytholmroyd, where the poet Ted Hughes grew up. In solitude, Ben Myers has been exploring this wooded ten acre site for over a decade and his Field Notes, scribbled in situ are threaded between sections entitled Wood, Earth, Water and Rock. Taking the form of poetry, these Field Notes are “lines and lists lifted from the landscape, narrative screen-grabs of a microcosmic world that are correspondent to places or themes explored elsewhere, or fleeting flash-thoughts divined through the process of movement”.