Gideon the Ninth is the most fun you’ll ever have with a skeleton.
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead bullshit.
Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as necromantic skeletons. The result is a heart-pounding epic science fantasy.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.
Of course, some things are better left dead.
This is one of my favourite books of the year. Weird, dark and often very funny, I loved it from the first page to the last.
It’s got everything – lesbian necromancers, a giant labyrinthine crumbling (possibly haunted, definitely deadly) house by the sea, swordfights, murder, blood, skeletons, locked rooms (which should *definitely* stay locked), mysterious mystics, battling Houses, daring cavaliers and a cluedo-esque whodunnit running throughout.
I *loved* the dynamic between Harrow and Gideon. Exchanging barbs and one-liners like they’re going out of fashion, the two Ninth House heroines have to battle against the other great Houses for the ultimate prize of Harrowhark becoming Lyctor to the Emperor. Except that she really needs Gideon’s help. And Gideon isn’t sure she can really be arsed.
The worldbuilding is glorious, though we only see a fragment of it on display here. The inter-House rivalries hint at larger things which we’ll hopefully see more of in the later books. The locked-room mysteries that the pair have to solve are delightfully cunning, and Harrow and Gideon make such a wonderful pairing. The Houses themselves are fascinating, as are the necromancers and cavaliers from each – for a book with 18 characters, they’re all well-realised and splendidly different.
Hugely recommended. I can’t wait to see where the story takes us in Harrow the Ninth, which is out next year.
Gideon the Ninth by Tamsyn Muir is published by Tor.